“Ostoppbar” in Swedish. “Unstoppable” in English. Whatever language you use, Fever Ray is not to be outdone. One half of the early-aughts brother-sister electroclash duo The Knife, Swedish-phenom Karin Elisabeth Dreijer’s solo project is just as elaborate, just as sensuous, and just as stylish as The Knife ever was (their live shows were legendary). Fever Ray’s third and latest album, Radical Romantics is a concept piece that acts both as diary, screed and Tinder ad. Dealing with the pangs and lurches of mid-life queer love and sexuality, songs like “Even It Out”, “Kandy” and “What They Call Us” (co-written and produced by Karin’s brother Olof) are high-brow bangers of the highest degree—placing ambiguity and concupiscence on equal footing and setting us up for surprise after surprise. Dressed as a sinister alter-ego reminiscent of a lecherous, balding, middle-aged man, Dreijer took last night’s crowd from trance-like tracks, like their break-out single “When I Grow Up” and “Mustn’t Hurry,” to outright drum-n-bass tracks like “Carbon Dioxide,” a diabolically lit, “An Itch”, newer songs off the album like the pulsating “New Utensils” and glass-cracking “Shiver”, closing with a costume change encore of “Coconut.” Whether you are a fan of The Knife or electronica in general, Fever Ray has a way of presenting interiority, feminism and manic longing in a way that hypnotizes, as well as encourages. From the fjords to The Fox, love is still the place Fever Ray would rather be.