Here Come Your Pixies!
Pioneering a sound thatβs influenced every indie band from Nirvana to Weezer, Pixies are the godfathers of wall-of-sound guitar, up-down-up-down genre-blending punk riffs, jeremiads-as-lyrics and bass hooks that could land a Great White. Despite an eleven year hiatus from 1993 until 2004, this band has never ever really lost its stride or popularity. Eight albums deep (including Gold-certified Surfer Rosa and Platinum Doolittle), their 2019 album Beneath The Eyrie was met with much critical acclaim, while 2022 saw the release of their newest album Doggerel along with its danceable single, βHuman Crimeβ. Their latest tour features all-but-one of the original members: Black Francis at the helm, lead guitarist Joey Santiago and drummer David Lovering backing, and a continuation of Kim Deal-on-bass replacement and impresario in her own right, Paz Lenchantin (whom unfortunately does not give us herβwhat we're sure is aβstunning rendition of βGiganticβ, but whom does bring her own coffee mug on stage, soβ¦itβs square??). Together since 2014, this iteration of the band seems as seamless as ever.
Last nightβs Oakland Fox Theater show saw Pixies venture over 90 minutes of whatever the hell rock βnβ roll they felt like (no two setlists are the same): opening with fan-favorite two-chord pulsar, βGouge Awayβ, and included classics like βHey!β, βCaribouβ and βVelouriaβ; punk wrecking-balls like βBone Machineβ, βDebaserβ, βMr. Grievesβ and βPlanet Of Soundβ; standout singles like βWhere Is My Mind?β (of Fight Club fame) and βHere Comes Your Manβ (most famously in (500) Days Of Summer); a surf-jangle cover of The Jesus & Mary Chain's βHead Onβ and a mournfully acoustic, quarter-time reprise of βWave Of Mutilationβ, which distilled all those minor chords into something unforgettably and deliciously Gothic. Other newer singles like βThunder And Lightningβ from Doggerel and βDeath Horizonβ from Beneath The Eyrie were well received, as Black Francis took the crowd on a tour-de-force of post-Covid high-octane Gen-X euphony. Their first touring foray since 2019's triumphant Pasadena Daydream Festival, these rocker statesmen seemed effortless and well-practiced. The Oakland crowd never waned and knew practically every lyric, proving that no matter how many years go by, no matter how long they disband for, or no matter if not every song belongs in the pantheon of our playlists, Pixies fans have nothing but a gigantic big big love.
Slow Pulp
Hailing from Madison, Wisconsin (yes, the Chris Farley one), Slow Pulp (now based out of Chicago) is a meeting of minds. Originally formed by Alexander Leeds (bass), Theodore Matthews (drums) and Henry Stoehr (guitar) in 2015 (they've known each other since the sixth grade), the addition of lead singer Emily Massey in 2017βwith her own Beth Orton/Veruca Salt-esque powerful, sultry yet sweetly understated voiceβcompleted their outfit. Their 2020 album Moveys is a sonic crucible that was written and completed against all odds, with Massey battling Lyme Disease in 2018, her parents being involved in a car accident in early 2020 and then of course, Covid-19. Fortunately, the album was able to be cobbled together kintsukuroi-style by Stoehr, allowing this gem of an album to live. A perfect pairing of indie rock, in the same class as Deap Valley or Courtney Barnett, Slow Pulp is the perfect tender-hearted aperitif before a raucous Pixies performance.